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Reviews . . .
"The
best suspense stories are the ones that creep up on you, breathe on your neck
and jump back into the shadows when you turn around. Michael Kimball plays
that game with unnerving skill in Mouth to Mouth, a psychological thriller
with the scariest kind of villain-a handsome, helpful, utterly winsome sociopath
with an evil agenda that his victims fail to see until it's too late . . .
Although the steel-trap plot is built for ultimate carnage, Kimball primes
the mechanism with scenes of quiet beauty and subtle tension that seduce characters
and readers alike on the slow, scenic route to a state of high anxiety."
/ New York Times
"A deft, highly charged erotic psychological thriller bristling with
secrets and lies . . .The tough, pull-no-punches narrative is loaded with
spellbinding action . . . Kimball hits the mark with this high-wire revenger's
tragedy: a pitilessly intelligent examination of a family tortured by mistakes,
misunderstandings, and malicious vengeance from the invigorating opening to
the catastrophic finale."
/ Kirkus Reviews (starred
review)
"A
gripping tale of betrayal and murder."
/
Brunswick Times Record
"A
dark, nasty story with a serpentine plot . . . and a stunning finale. Highly
recommended, but not as bedtime reading."
"Kimball's well-paced plot becomes an edge-of-the-seat thriller . . .
His arch-villain is a pure sociopath, a man whose brilliance, dedication and
understanding of human weakness make him almost invincible. An edgy page-turner
that will keep you reading till it's done, and give you nightmares afterwards."
/ Booklist
/ Portsmouth Sunday Herald
"In his second thriller, Kimball (Undone) seduces the reader just as
successfully. He has created characters on which we want Neal to wreak his
brand of justice, then makes us painfully aware of the finality and horror
of that justice. Recommended for all public libraries."
/ Library Journal
"Superb
. . . the psychodrama of Mouth to Mouth puts it up there with classics of
the genre like "Night of the Hunter." Mouth to Mouth deserves a
zillion readers."
/ Kennebec Sunday
"Michael Kimball has a rare talent for capturing the erotic undercurrents
flowing beneath his deeply flawed characters and is not afraid to explore
the more extreme forms of behavior. A compelling thriller that delivers some
strong jolts."
/ Chicago Tribune
"A
tightly written and expertly paced psychological thriller that will have you
gasping for breath."
/ Worcester Phoenix
The
writing is taut, at times almost beautiful, as Kimball paints the scenery
for what should have been an idyllic summer but has become, instead, a horrific
death-watch, full of foreboding . . . Stephen King called Undone , Kimball's
first novel, "the sort of book you think about during the day and can't
wait to settle back into at night. As for Mouth to Mouth , say amen and ditto."
/ Washington Post
"A
New England tale of obsession and revenge, set against the backdrop of one
particular family's unspoken history, Mouth to Mouth burns up page after page
with power and pace and Kimball's signature deftness of plot."
/ Worcester Magazine
"An
intense and disturbing book, with a hard-edged plot driven by the tensions
between its characters. With Mouth to Mouth , Kimball continues his precedent
of rapid-fire plotting and dynamic characters."
/ Maine Sunday Telegram
"Intelligently
crafted plot twists come at top speed, revealing interlocking family secrets,
deaths to be avenged, hidden patterns to be discovered. The denouement is
one gripping cliffhanger after another, a chilling melange of vengeance and
obsession that will keep the reader glued to the page."
/ Publishers Weekly
In
the US:
Harper Torch-Paperback
ISBN 0-380-78670-2
In the UK:
Headline Feature-Softback
ISBN 0-7472-6168-7
MOUTH TO MOUTH
...is the story of Ellen Chambers, her family, their troubled past, and their uncertain future. Ellen is a schoolteacher who lives on a working sheep farm in Destin, Maine.
Following in her footsteps, her pregnant teenage daughter is getting married to a violent man. As Ellen wonders if it is possible to get away with murder, a handsome young wedding guest leans in to her and whispers, "Anything's possible."
The uninvited stranger is Neal Chambers, her husband's nephew who left town twelve years ago in the wake of a family tragedy. With her own marriage crumbling, Ellen is a woman in desperate need of a friend, but by accepting Neal's offer of friendship, Ellen inadvertently sets in motion events that pull them together into an inescapable web of lies, secrets, betrayals, and death.
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